Whats next after 39 mio pixel Digital back from Hasselblad, in professional PHOTOGRAPHY?

Hasselblad is creating a new standard of digital image quality for professional photographers with the announcement of a new camera and three camera backs based on the combination of Hasselblad’s new, true 39 megapixel CCD sensor and its unique Digital APO Correction (DAC) technology. This new line of products features the new Hasselblad Natural Color Solution, which takes digital photographic color reproduction to an entirely new level. The new products also deliver images of unsurpassed sharpness and resolution and at the same time reduce any moiré effect to a minimum – a first in the history of digital photography.

Based on the Hasselblad H2 camera with its range of high performance, digital central shutter-based lenses, and featuring extended features, such as DAC lens optimization and Instant Approval Architecture, the Hasselblad H2D-39 is the world’s first high-end, 39 megapixel, digital auto-focus camera. Compatible with the entire range of Hasselblad H System lenses, the world finest digital lenses, as well as the Hasselblad V camera lens system, the H2D-39 brings the highest level of integration and flexibility to the professional photographer.

The new Hasselblad 39 megapixel digital back products include the Hasselblad CFH-39, CF-39 and CF-39MS, and have been built to meet the needs of professionals who require the best, for both mobile and studio shooting. The 39 megapixel digital back products match the design and functionality of the Hasselblad H2 camera and the Hasselblad CFH-39 digital back fits onto view cameras using the H-system interface plate for mechanical attachment and flash sync connection to trigger digital capture. The CFH-39 also fully integrates with the power system of the Hasselblad H2, so that both camera and digital back can be powered by the H2’s Li-ion battery.

The Hasselblad CF-39 line of digital backs offers 39 megapixel digital capture with Hasselblad’s interchangeable camera interface, the i-Adapter, and the option of true color multi-shot capture. In a studio environment, the color resolution of captures can be increased by means of a unique multiple-exposure technique controlled by the optional Multi Shot Module (patent pending). The result is unique color resolution and absolutely moiré free images.

The one thing I haven’t seen in "professional" photography in a while is a working knowledge of exposure, art, or any influences that are not on Flickr. There are more megapixels than new ideas these days.

@Tim, yes and thank you.